Introduction to the Special Issue for Walter Liedtke Stephanie Dickey, Alison Kettering, Nadine Orenstein
Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art Esmée Quodbach
Hendrick ter Brugghen’s Paintings of the Crucifixion in New York and Turin and the Problem of His Early Chronology Wayne Franits
The Rise and Fall of a Self-Portrait: Valentiner, Liedtke, and the Metropolitan Museum of Art’s Portrait of Frans Hals Jacquelyn N. Coutré
A counterfeit of what has to decay’: Vermeer and the Mapping of Absence in A Woman with a Lute Aneta Georgievska-Shine
A View beyond Delft: Johannes Vermeer’s Woman with a Lute and Its Relationship to Frans van Mieris Adriaan E. Waiboer
Canvas Weave Match Supports Designation of Vermeer’s Geographer and Astronomer as a Pendant Pair C. Richard Johnson Jr., William A. Sethares
