Introduction to the Special Issue for Walter Liedtke by Stephanie Dickey, Alison Kettering, Nadine Orenstein
Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art by Esmée Quodbach
Hendrick ter Brugghen’s Paintings of the Crucifixion in New York and Turin and the Problem of His Early Chronology by Wayne Franits
The Rise and Fall of a Self-Portrait: Valentiner, Liedtke, and the Metropolitan Museum of Art’s Portrait of Frans Hals by Jacquelyn N. Coutré
A counterfeit of what has to decay’: Vermeer and the Mapping of Absence in A Woman with a Lute by Aneta Georgievska-Shine
A View beyond Delft: Johannes Vermeer’s Woman with a Lute and Its Relationship to Frans van Mieris by Adriaan E. Waiboer
Canvas Weave Match Supports Designation of Vermeer’s Geographer and Astronomer as a Pendant Pair by C. Richard Johnson Jr., W. A. Sethares
