Judith with the Head of Holofernes: Jan Cornelisz Vermeyen’s Earliest Signed Painting Maryan Ainsworth, Abbie Vandivere
A counterfeit of what has to decay’: Vermeer and the Mapping of Absence in A Woman with a Lute Aneta Georgievska-Shine
The Company One Keeps: View of Ambon (ca. 1617) in the Dutch East India Company’s Sociopolitical Landscape Stephanie Glickman
