Protected: Laying the Ground in Still Lifes: Efficient Practices, Visual Effects, and Local Preferences Found in the Collection of the Mauritshuis Marya Albrecht, Sabrina Meloni
Protected: Prepared and Proffered: The Role of Professional Primers in the Spread of Colored Grounds Moorea Hall-Aquitania
First Steps in Vermeer’s Creative Process: New Findings from the National Gallery of Art E. Melanie Gifford, Dina Anchin, Alexandra Libby, Marjorie E. Wieseman, Kathryn A. Dooley, Lisha Deming Glinsman, John K. Delaney
Judith with the Head of Holofernes: Jan Cornelisz Vermeyen’s Earliest Signed Painting Maryan Ainsworth, Abbie Vandivere
