Hendrick ter Brugghen’s Paintings of the Crucifixion in New York and Turin and the Problem of His Early Chronology Wayne Franits
Collecting Old Masters for New York: Henry Gurdon Marquand and the Metropolitan Museum of Art Esmée Quodbach
A View beyond Delft: Johannes Vermeer’s Woman with a Lute and Its Relationship to Frans van Mieris Adriaan E. Waiboer