Hugo van der Goes’s Adoration of the Shepherds: Between Ascetic Idealism and Urban Networks in Late Medieval Flanders

The Adoration of the Shepherds (fig. 1) by Hugo van der Goes has been perceived by art historians as an act of artistic implosion. In an early version of this argument, Erwin Panofsky drew on the sensational biography of the artist; we know that Hugo suffered from a psychological breakdown in the late 1470s and … Continue reading Hugo van der Goes’s Adoration of the Shepherds: Between Ascetic Idealism and Urban Networks in Late Medieval Flanders